A Year with Rilke: The Nothing You Are Grasping

September 12, 2011

The Nothing You Are Grasping

The Creation of Man, by Marc Chagall

Do you still not know how little endures?
Fling the nothing you are grasping
out into the spaces we breathe.
Maybe the birds
will feel in their flight
how the air has expanded.

From the First Duino Elegy

2 comments:

erinMon Sep 12, 12:58:00 PM GMT+2
ok, this is simple and yet explosive. if rilke were here i'd clap and then kiss him. (sorry clara.)

xo
erin
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rickTue Sep 13, 08:04:00 AM GMT+2
strange- i keep wanting to put a comma after know and make another question
Rick
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"Everything is blooming most recklessly; if it were voices instead of colors, there would be an unbelievable shrieking into the heart of the night."

~ Rainer Maria Rilke

Go ahead, bloom recklessly!

About the Blog

We, Lorenzo and Ruth, are blog friends who, upon discovering our shared admiration for Rainer Maria Rilke's writings in a new volume of daily readings, decided to launch this blog.

Lorenzo (in Spain) has a home blog called The Alchemist's Pillow. Ruth (in the U.S.) has a home blog called synch-ro-ni-zing. Both of us also write poems and receive inspiration from Mary Oliver, Rumi, and many other poets.

We hope you will be inspired by this site, and we'd love to hear your responses in comments.

The Challenge of Translation

How can a poem written by Rilke, or anyone, be translated into another language, when a poem by its nature is a snapshot of a feeling, idea or story that also sings in lyricism, cadence, rhyme (sometimes) and other nuances that contribute to the poem intrinsically?

C. John Holcombe has thoroughly and generously explored the "problems" of translation in an article linked here, in which he explores the poem Herbsttag by Rilke. You can read fourteen versions of the first stanza by different translators, as well as a revelation of the issues of translation: word choice when there is no perfect equivalent; diction; word order (maintain the original or rearrange for effect?); rhyme; balance; and looking at the context of the poet's previous work.