A Year with Rilke: Along with the Laughter

December 17, 2011

Along with the Laughter

Lovers in Pink

by Marc Chagall

Lovers.
Awakening desire,
make a place where pain can enter.
That's how we grow.

Along with their laughter,
lovers bring suffering
and longings that had slept and now awaken
to weep in a stranger's arms.

From The Book of Hours II, 10

2 comments:

The Solitary WalkerSat Dec 17, 12:36:00 PM GMT+1
Ah, yes, indeed.
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ScottSat Dec 17, 05:55:00 PM GMT+1
The link to synh-ro-ni-zing's post from last year was amazing! The subsequent link to youtubes "America's Windows" was fascinating! I feel appreciative,proud,humbled and totally pumped. Thank you so much for this. I'm going for a run!
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"Everything is blooming most recklessly; if it were voices instead of colors, there would be an unbelievable shrieking into the heart of the night."

~ Rainer Maria Rilke

Go ahead, bloom recklessly!

About the Blog

We, Lorenzo and Ruth, are blog friends who, upon discovering our shared admiration for Rainer Maria Rilke's writings in a new volume of daily readings, decided to launch this blog.

Lorenzo (in Spain) has a home blog called The Alchemist's Pillow. Ruth (in the U.S.) has a home blog called synch-ro-ni-zing. Both of us also write poems and receive inspiration from Mary Oliver, Rumi, and many other poets.

We hope you will be inspired by this site, and we'd love to hear your responses in comments.

The Challenge of Translation

How can a poem written by Rilke, or anyone, be translated into another language, when a poem by its nature is a snapshot of a feeling, idea or story that also sings in lyricism, cadence, rhyme (sometimes) and other nuances that contribute to the poem intrinsically?

C. John Holcombe has thoroughly and generously explored the "problems" of translation in an article linked here, in which he explores the poem Herbsttag by Rilke. You can read fourteen versions of the first stanza by different translators, as well as a revelation of the issues of translation: word choice when there is no perfect equivalent; diction; word order (maintain the original or rearrange for effect?); rhyme; balance; and looking at the context of the poet's previous work.