A Year with Rilke: Autumn's End

December 18, 2011

Autumn's End

Autumn Landscape at Dusk

by Vincent van Gogh

I have seen for some time
how everything changes.
There is that which arises and acts,
kills and causes grief.

Each time I look at them
the gardens are different—
a slow decay
from gold to brown.
How long for me the way has been.

Now it is empty where I stand
and look down the avenues.
Almost as far as the farthest ocean
I can see the heavy
forbidding sky.

Book of Images

2 comments:

S.EmeraldSun Dec 18, 06:48:00 AM GMT+1
As I read this, I can't get over how DEEP this man was. His works are so descriptive. I read that and my mind was filled with images of Autumn....
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The Solitary WalkerSun Dec 18, 11:00:00 PM GMT+1
This is quite wonderful, if you like a rich melancholy. I like a rich melancholy.

I detect the influence of Rilke's piercing brevity on your own recent poems, Ruth.
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"Everything is blooming most recklessly; if it were voices instead of colors, there would be an unbelievable shrieking into the heart of the night."

~ Rainer Maria Rilke

Go ahead, bloom recklessly!

About the Blog

We, Lorenzo and Ruth, are blog friends who, upon discovering our shared admiration for Rainer Maria Rilke's writings in a new volume of daily readings, decided to launch this blog.

Lorenzo (in Spain) has a home blog called The Alchemist's Pillow. Ruth (in the U.S.) has a home blog called synch-ro-ni-zing. Both of us also write poems and receive inspiration from Mary Oliver, Rumi, and many other poets.

We hope you will be inspired by this site, and we'd love to hear your responses in comments.

The Challenge of Translation

How can a poem written by Rilke, or anyone, be translated into another language, when a poem by its nature is a snapshot of a feeling, idea or story that also sings in lyricism, cadence, rhyme (sometimes) and other nuances that contribute to the poem intrinsically?

C. John Holcombe has thoroughly and generously explored the "problems" of translation in an article linked here, in which he explores the poem Herbsttag by Rilke. You can read fourteen versions of the first stanza by different translators, as well as a revelation of the issues of translation: word choice when there is no perfect equivalent; diction; word order (maintain the original or rearrange for effect?); rhyme; balance; and looking at the context of the poet's previous work.